pascale_b wrote:May be, it would be good, if a constructive, technical comment on a particular image could be posted on this forum rather than on the person's gallery so that more people could benefit and discuss... That is if it doesn't hurt anybody's feelings, of course.
As uese kickstarted the thread for us to comment on his shots, I have been working through his galleries and following the suggestion of pascale_b have made (sometimes technical) comments on some of uese's photos.
I am new to these forums and so am unsure of the protocols, but would like to post my comments about their photos on this thread. Please advise me if this is inappropriate.

This is a very clever shot, especially as you have managed to avoid appearing in the shot yourself.
I love the way that the multiple layers work/don't work together.
The modern room behind the glass, the cars in the street reflected in the glass, the traditional panorama across the harbour through the glass and the old buildings reflected in the modern medium of the plate glass.

Night shots and water shots are two of my personal favourite themes to shoot. You have managed to do both at the same time. I am jealous!
In my opinion, the composition is unbalanced as the eye is being drawn out of the picture to the left. The right side is dark but has an arrow pointing left (generated by the lights on the steps and their reflection reinforcing the darkness of the quayside). This leads the eye to the much brighter area on the left, but there is no containing vertical at the left edge of the shot to hold/frame the edge of the shot.

Lovely abstract composition.
As Forrest Gump might have said - "You don't know what you've got until after you open the box!"
It could be a kangaroo that is moving left to right, changes colour and falls over face first.

Sunset and dawn are two marvellous times of day in my book and I try hard to capture them in their full glory.
The contrast between the subtlety of the indistinct sun/sky/horizon and the definite trees in the foreground is a great juxtaposition.
Would this contrast have been enhanced by the use of some foreground flash?
It is often difficult to remember to use flash in daylight.

This is an wonderful and extremely complex study of landscape and colour with many different planes of depth and features within it.
How many peeps have seen the man in the river masking the reflection of the right hand waterfall?
Are they waterfalls or are they tree trunks?
The orange blossom on the right appears to be at the front of the shot, but it is masked on the left by a blade of green.
The background appears to be washed out, but is there any way of overcoming that without underexposing the foreground. Would daylight flash have been effective in resolving that?
[Edit #last] Seems to be working now - don't know what I was doing wrong - sorry about that
Last edited by mobydoc on Fri Aug 15, 2008 1:27 pm, edited 10 times in total.